Luciano Pavarotti, Italian Tenor, died at the age of 71 last year..
Click on the following link for an article by the Associated Press printed Thursday, September 6, 2007:
Please listen to the following link of Pavarotti's signature aria from "Turandot, "Nessun Dorma":
Turandot is the beautiful cold-hearted femme fatale princess who lures love-struck princes to their death. Anyone who wants to marry her is asked three riddles: If he answers them right he gets to marry her, but if he doesn't he is beheaded.
In the first act Calaf, the "Unknown Prince", rings the gong, signifying his declaration as a suitor to Turandot. In the second act he correctly answers the three riddles. According to the law, Turandot now has to marry him, even though she doesn't want to. But instead of claiming his prize, Calaf now poses a riddle of his own, saying to her: Tell me my name before morning, and at dawn I shall die.
He doesn't want her to marry him reluctantly; he wants to defeat her cold-hearted defensiveness and have her fall in love with him. This is, in fact, exactly what happens at the end of the opera.
So when the Prince poses the riddle, the name he refers to is not "Calaf", but rather the name she will ultimately give him: "Amor" ("Love"). That is, he wants her to love him. When the Prince says "then I shall die", he really means "die" in the sense of lose himself completely to true love.
At the end of Act 2 Turandot hasn't yet figured out all this love poetry business, and still thinks that she just has to get someone to reveal the Prince's name and then she can chop off his head. So she puts out a decree that no one in Peking is allowed to sleep until the name is revealed.
Act 3 opens in gloomy night and the chorus gloomily repeats the words "no one sleeps" ("nessun dorma"). In the first words of his aria, the Prince is repeating the words of the chorus.
And respond with your thoughts/musical critique.
Leroy Anderson (June 29, 1908–May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music."
Born in Cambridge, Massachusetts to Swedish parents, Leroy Anderson was given his first piano lessons by his mother, who was an organist. He continued studying piano with Henry Gideon at the New England Conservatory of Music, and he also took double bass lessons from Gaston Dufresne in Boston. In 1926 Anderson entered Harvard University, where he studied theory with Walter Spalding, counterpoint with Edward Ballantine, harmony with George Enescu and composition with Walter Piston. He graduated with a Bachelor of Arts degree in 1929 and Master of Arts in 1930.
He continued studying at Harvard, concentrating in Scandinavian languages, while also working as organist for the university, leading the choir and the Harvard University Band, and conducting and arranging for dance bands around Boston. His work came to the attention of Arthur Fiedler, who in 1936 hired Anderson to arrange traditional and popular music for the Boston Pops as well as to write original compositions, commissioning Anderson to write Jazz Pizzicato in 1938 and Jazz Legato in 1939.
In 1942, Anderson joined the U.S. Army, as a translator and intelligence officer, working at the Pentagon on Scandinavian intelligence matters during World War II. But his duties did not prevent him from composing, and in 1951 Anderson wrote his first hit, "Blue Tango", earning a Golden Disc and the No. 11 spot on the Billboard charts.
His pieces and his recordings during the fifties conducting a studio orchestra were immense commercial successes. "Blue Tango" was the first instrumental recording ever to sell a million copies. His most famous pieces are probably "Sleigh Ride" and "The Syncopated Clock", both of which are instantly recognizable to millions of people. In 1950, WCBS-TV in New York City selected "Syncopated Clock" as the theme song for The Late Show. Mitchell Parish added words to "Syncopated Clock", and later wrote lyrics for other Anderson tunes, including "Sleigh Ride", which was not written as a Christmas piece, but as a work that describes a winter event. Anderson started the work during a heat wave in August 1946.[1] From 1952 to 1961, Anderson's composition "Plink, Plank, Plunk" was used as the theme for the CBS panel show I've Got A Secret.
Anderson's musical style, heavily influenced by George Gershwin and folk music of various lands, employs creative instrumental effects and occasionally makes use of sound-generating items such as typewriters and sandpaper. (Krzysztof Penderecki also uses a typewriter in his orchestral music, in "Fluorescences", but with a decidedly less humorous effect.)
Anderson wrote his Piano Concerto in C in 1953 but withdrew it, feeling that it had weak spots. In 1988 Erich Kunzel and the Cincinnati Pops Orchestra released the first recording of this work; three other recordings have since been released.
In 1958, Anderson orchestrated Meredith Willson's "76 Trombones", from the musical The Music Man[2]. That year he wrote his own musical, Goldilocks, which earned two Tony awards but did not achieve commercial success. Anderson never wrote another musical, preferring instead to continue writing orchestral miniatures. His pieces, including "The Typewriter", "Bugler's Holiday", and "A Trumpeter's Lullaby" are performed by orchestras and bands ranging from school groups to professional organizations.
Anderson would occasionally appear on the Boston Pops regular concerts on PBS to conduct his own music while Fiedler would sit on the sidelines. For "The Typewriter" Fiedler would don a green eyeshade, roll up his sleeves, and mime working on an old typewriter while the orchestra played.
For his contribution to the recording industry, Leroy Anderson has a star on the Hollywood Walk of Fame at 1620 Vine Street. He was posthumously inducted into the Songwriters Hall of Fame in 1988 and his music continues to be a staple of "pops" orchestra repertoire.
In 2006, one of his piano works, "Forgotten Dreams", became the background for a British TV advertisement for mobile phone company '3'. Previously, Mantovani's recording of the song had been the closing theme for WABC-TV's "Eyewitness News" for much of the 1970s.
His first name was pronounced the classical way, with the stress on the second syllable; "Luh-ROY" rather than the now prevalent pronunciation of that name, "LEE-roy".
Click on the following link for a recording/video of "The Typewriter" as Performed by the Edmonton Symphony:
After watching the video, please post your thoughts/musical critique.
